During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.
Kristin Scott Thomas
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Tom Hanks has a connection with both of the film's main characters' real-life individuals. Hanks actually personally knew Ben Bradlee (who Hanks portrays in the film), and he met Kay Graham (who Meryl Streep portrays in the film) the day before she died. See more »
In one scene a man is shown wearing a Ralph Lauren Polo shirt. This shirt was not introduced until 1972 but the film takes place in 1971. See more »
Incredible cast, right down to the small parts. But the film is heavy-handed to the point of ham-fisted, from the opening scene onwards. Mr Spielberg needed to have greater faith in his audience, and let the moments in the script breathe, rather than cutting to yet another brief shot of expository detail. The film is trying to be a kind of parable of feminist empowerment -- Katharine Graham finally comes into her own and she receives admiring and supportive glances from women all over! -- without realising that Katharine Graham was, from the start, smart and tough as hell. This could have been such a great film, if Spielberg had only trusted his writers, his audience, and his cast.
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