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Baby Driver (2017)

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After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

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Gear Up for 'Baby Driver' With Edgar Wright

Baby Driver writer and director Edgar Wright shares easter eggs from the movie and his favorite heists.

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Cast

Cast overview, first billed only:
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Barista
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Street Preacher
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Doc
Morse Diggs ...
Morse Diggs
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Baby's Mom
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Baby's Dad
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Young Baby
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Diner Waitress
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Cook
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Storyline

Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Deborah, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

All you need is one killer track.


Motion Picture Rating (MPAA)

Rated R for violence and language throughout | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Country:

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Release Date:

28 June 2017 (USA)  »

Also Known As:

Baby Driver  »

Filming Locations:

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Box Office

Budget:

$34,000,000 (estimated)

Opening Weekend:

$20,553,320 (USA) (2 July 2017)

Gross:

$107,825,862 (USA) (19 October 2017)
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Company Credits

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Technical Specs

Runtime:

Color:

| (some shots)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Multiple actors auditioned for the role of Baby's foster father, Joseph, but CJ Jones was the only one who auditioned that was actually deaf. See more »

Goofs

In the garage shoot-out/ram-out, Buddy empties the magazine in his Sig P228 through the police car windshield. The pistol then "clicks" 2 or 3 times. Empty semi-auto pistols don't do that. See more »

Quotes

Armie: We've met before, right?
Bats: I dunno. You still alive, right?
Armie: Uh-huh.
Bats: Then I guess we ain't never met.
See more »

Crazy Credits

At the end of the credits is the sound of a tape rewinding. See more »

Connections

Featured in Projector: Baby Driver (2017) See more »

Soundtracks

Early In The Morning
Traditional arranged by John Group
Performed by Alexis Korner (as Alexis Corner's Blues Incorporated)
Courtesy of Sanctuary Records Ltd
Under licence from BMG Rights Management (UK) Ltd
See more »

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User Reviews

 
A film so in love with itself, it needs its own cinema seat
2 July 2017 | by (Dublin, Ireland) – See all my reviews

"Baby Driver" is showy, cliché-ridden and irritatingly self-aware. It's like that yappy drama society kid at college who is so consciously trying to act cool by breaking into song, dancing around chairs, drumming on desks and spitting jokey one-liners with a hand pistol flourish....the kind of person a cynical SOB like me just wants to punch in the throat.

The central premise is about a young, good-at-heart kid forced into a life of crime in order to pay off a debt. The annoyingly slick, Abercrombie-faced "Baby" is not only the fastest getaway driver in Atlanta, we later find out he's also a self-taught music producer, dancer and talented free-runner...are you rolling your eyes yet?

The main mechanic, so lauded by critics, is that everything in the film revolves around music, from the editing to the dialogue. Since Baby is constantly plugged into his i-pod (so, we are told, to drown out tinnitus from a car accident which killed his parents), the film essentially plays like one giant music video, with nearly every gunshot, tire screech and sassy put down edited meticulously with the beats or riffs of whatever track is playing during the sequence.

Unfortunately for me, the songs didn't make what was happening on screen that much more interesting. While there are some splendid car chase sequences (too few in my book), one must endure cringey moments of Baby miming and dancing to James Brown, dull characters waxing poetic about song lyrics and saying cliché bull$hit like "Sometimes all I want to do is head west on the 20 in a car I can't afford with a plan I don't have". Everyone in the film is pretty, none of the gangsters really look like gangsters, least of all the Latina 'Darling', who can't even hold a gun convincingly and is just there to show cleavage and lick her lips at camera.

Imagine the most indulgent ideas from Guy Ritchie and Tarantino's trash bin channeled through a Justin Bieber video. Less style and even less substance.

There are no doubt people who will love it for being a showy piece of nonsense, and there is some entertaining, high impact action, but it's far from the genius some critics are praising it as. I saw it with a group of youngish people who all agreed it wasn't as good as they'd hoped and that some bits were just plain daft.

Leave your brain at home and perhaps you'll be rewarded...


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