On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand, in search of the farm where they grew up together.
Focused on the world of wealthy Qatari sheikhs with a passion for amateur falconry, 'The Challenge' combines cinematic beauty with rare access and trailblazing form. Here, the opulence of ... See full summary »
Through its lyrical structure, Chavela will take viewers on an evocative, thought-provoking journey through the iconoclastic life of game-changing artist Chavela Vargas. Centered around ... See full summary »
It's Not Yet Dark tells the ground breaking story of Simon Fitzmaurice, a talented young Irish film maker with ALS (MND), as he embarks on directing his first feature film through the use of his eyes and eye gaze technology.
An old run-down house and an aloof cat are the witnesses to the story that arise between five young adults that live together while they face personal and professional crisis, and general ... See full summary »
Juan Carlos Huguenin
THE UNTOLD TALES OF ARMISTEAD MAUPIN celebrates one of the world's most beloved storytellers, following his evolution from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to re-claim their lives.
Jennifer M. Kroot
Very interesting first half leads to so-so second half, but i still thought it was a good idea.
Saw this film at the very last minute without knowing a thing about it beyond the one or two line description that the cashier gave me at the theater showing it. I was standing there and it was about to start, and I asked what's it about--and her response was enough to make me hand money over to see it at literally a moment's notice, so you know you got an interesting idea if your brief synopsis is interesting enough to hook someone like that. (Basically two people who hate each other are the last two people on Earth to speak this one language and this linguist who's interested in preserving the language has to somehow convince these two men to start speaking to one another again which of course isn't easy)
The film follows this guy who is very interested in trying to preserve this rapidly dying language in the very photogenic San Isidro area of Mexico. There are at the film's beginning only three people in the world who speak this particular dialect, and so the guy who is a linguist tries his best to record what he can of it, and possibly try and learn a handful of words himself to try and keep the language alive as it was, and these two other people who make up the last people on Earth who speak this language are former best friends who have not spoken to one another in over 50 years, and bear a huge grudge against one another for reasons that will eventually be made clear during the course of the movie. Meanwhile our leading man ends up starting a relationship with the granddaughter/caretaker of one of these two men, and the two of them plot together to try and unite these two former friends so as to try and preserve what they can of the dying out language. Its a cute enough premise, and as a backdrop to a love story for the linguist and the granddaughter its not a half bad love story as well.
The imagery of this movie is very good, and the way the material is presented at first made me think we might be getting some sort of off beat comedy along the lines of Aki Kurismaki or Jim Jarmusch, but the film's tone quickly veers more towards the melodramatic than humorous as the film's main story-line gets going. Its an OK film on the whole, and I think if people can embrace the metaphysical aspects of the film's big climactic sequence, they might end up enjoying the film's last half hour a bit more than I did. I wasn't prepared for the film to veer into the metaphysical the way it did, although I appreciated it, it reminded me a little bit of the TV series "Northern Exposure" in that sense, in fact the whole premise itself was very "Northern Expsoure" like which may in fact be what made me decide to see it just on a sheer moment's notice. (about that shift into metaphysical--without giving anything away i'll just say that the film's depiction of what happens to the dying as they um lay dying was interesting to contemplate afterwards, it'd be nice to think that that's what happens! I thought it was neat, but it doesn't quite track with the literal way the story was presenting itself in that first hour or so...but still i give the film credit for at least changing itself up in a unique way.)
I do look forward to seeing what the writer/director of this does in the future tho, there are some sequences here that are very beautifully shot, and i think the scenery is just very, very well captured. Its worth checking out if you get the chance to see it, but well like I said, after a great first half or so, i think the film veers into melodrama terrain, and i think the film kind of writes itself into a corner at one point, like after the big reveal is revealed, I wasn't entirely sure where the film was left to go to, but its still more than interesting enough to hold your attention or fancy (as in flight of) on the whole.
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