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Blade Runner 2049 (2017)

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In 40 theaters near Ashburn VA US [change]

A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years.

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Cast

Cast overview, first billed only:
...
'K'
...
...
...
Interviewer
Vilma Szécsi ...
Angry Old Lady
...
Joi
...
Nandez
...
Coco
...
File Clerk
...
Luv
...
...
Sallie Harmsen ...
Female Replicant
...
Freysa
...
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Storyline

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for violence, some sexuality, nudity and language | See all certifications »

Parents Guide:

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Details

Country:

| |

Release Date:

6 October 2017 (USA)  »

Also Known As:

Blade Runner 2  »

Filming Locations:

 »

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

AUD 4,528,430 (Australia) (8 October 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| | (DTS: X)| | (IMAX 12 track)

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

When K is approached by Mariette and two other women, one of the other two speaks her lines in Finnish, saying "Tää jätkä on Blade Runner. Se on vitun vaarallinen. Annetaan sen olla." ("This guy is a Blade Runner. He's fucking dangerous, let's leave him be."). The character is played by Krista Kosonen, who is a native Finn. See more »

Goofs

The first song listed ("Summer Wind"), is displayed as "Perfromed by Frank Sinatra" instead of "Performed by Frank Sinatra". See more »

Quotes

K: This isn't possible.
See more »

Crazy Credits

There are no opening credits, excluding the title. See more »

Connections

Featured in Half in the Bag: Blade Runner 2049 (2017) See more »

Soundtracks

One for My Baby (and One More for the Road)
Written by Harold Arlen and Johnny Mercer
Performed by Frank Sinatra
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Frequently Asked Questions

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User Reviews

A sleek, expensive and obedient skin-job
8 October 2017 | by (Athens, Greece) – See all my reviews

Blade Runner (1982) was a happy (yet gloomy) accident, involving: a) a young and ambitious director who fought ferociously with studio executives in order for them to let him fulfill his vision; b) a rising blockbuster star who wanted to prove he can also act in a serious movie; c) a crazy Dutch actor who decided to change the script and improvise one of the most memorable monologues in film history; d) a bunch of talented artists who wanted to make a movie that would look and sound different from anything else we had seen before. And most of all, e) a post-Vietnam turbulent era when Hollywood rebels like Coppola, Scorsese and Cimino were audaciously attempting to reinvent the language of cinema, telling stories that mattered and not caring at all about target audiences and marketing trends. As a result, Blade Runner was a box office failure that slowly became a legend, breaking stereotypes like "good guy kills bad guy at the end" and dealing with existential agony on an almost metaphysical level; always within the context of a gritty corporate dystopia in the near future.

Blade Runner 2049 is none of these things. On the contrary, it's the flawed triumph of a next generation of studio executives, who control the creative process by paying millions to the industry's best of the best, providing they will make something that will take advantage of a successful brand name in order to bring profits to shareholders. If there is one word to describe this movie, it's "replicant". Not the kind of replicant who realizes that "all those moments will be lost in time, like tears in rain" as he dies, but a sleek, expensive and obedient skin-job that will try to entertain you and if it succeeds will return as a sequel that will eventually become yet another franchise. I spent 160 minutes of my life watching a pleasant and perfectly constructed piece of nothing, and I didn't care for a moment about any of the characters or a storyline that was designed without the intention to question and redefine a single thing. All its moments have already been lost in my memory, while the original Blade Runner remains vivid in my mind, as if I only saw it yesterday.


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