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Mr. Warmth: The Don Rickles Project (2007)

Not Rated | | Documentary, Comedy | 4 December 2007 (USA)
This terrific feature film comedy reveals the background of one of the legends of comedy, Don Rickles. Hailed by some of today's biggest comedians as one of the classics, who they aspire to... See full summary »

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Won 2 Primetime Emmys. See more awards »
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Cast

Cast overview, first billed only:
...
Himself / Private Willard
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Himself / Sister Rosa Stigmata
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Himself / Crapgame / Petty Officer Ruby / Crane / Nellie / Anne Bancroft / Big Drop / Mr. Potato Head - (voice)
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Himself / Private Kelly / 'Dirty' Harry Callahan
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Himself
...
Himself
Victor Figueredo ...
Himself
Conrad Hermogenes ...
Himself
Paul Shefrin ...
Himself
Heidi Akawa ...
Herself
Peggy March ...
Herself
Joe Mele ...
Himself
...
Himself
Tom McDermott ...
Guitar
Jack Cenna ...
Percussion
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Storyline

This terrific feature film comedy reveals the background of one of the legends of comedy, Don Rickles. Hailed by some of today's biggest comedians as one of the classics, who they aspire to emulate in their own comedy. Comedians reveal their unique stories, and tell how chance meetings and personal connections propelled them to the heights of comedy. Written by Jwelch5742

Plot Summary | Add Synopsis

Taglines:

If you think he's so... why does he have so many friends? See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

4 December 2007 (USA)  »

Also Known As:

Don Rickles Documentary  »

Filming Locations:

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Box Office

Budget:

$500,000 (estimated)
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Company Credits

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Technical Specs

Color:

| (archive footage)
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Did You Know?

Goofs

While Bobby Slayton lists the many shows Rickles appeared on in the 1960's, he names Bewitched. Rickles never appeared on the show. See more »

Quotes

Steve Lawrence: Black people can do black jokes, Jew do Jew jokes, Italians do Italian jokes, etc, etc. He does em all and gets away with it because he's hysterical.
See more »

Connections

Features This Is Your Life: Don Rickles (1972) See more »

Soundtracks

I'm a Nice Guy
Written by Key Howard
Special lyrics by The Great Jack Eglash
Performed by Don Rickles
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User Reviews

 
Polished portrait of a showbiz icon
9 October 2007 | by (Berkeley, California) – See all my reviews

Obviously it is very hard to be a stand-up comic. It requires good material, immense courage, and perfect timing. The ability to improvise may be very important. John Landis says Don Rickles, who is now 81 but still performing with amazing vigor, is not a comic but a performance artist. In fact, he does not tell jokes. He also does not use prepared material. He is a Jewish comic, though. He identifies himself as Jewish. He uses his schtick--he insults people--and he works with what comes up. National origin, weight, looks, a bad hairpiece, anything is fair game. Why do people love it?

This is what veteran filmmaker ('Animal House', 'The Blues Brothers'; Michael Jackson's 'Thriller') John Landis aims to tell us.He isn't looking for flaws, secret sorrows, bad relationships. He has told the press Rickles hasn't any of those. Landis has been a friend and admirer of Rickles for decades; he was an eighteen-year-old gofer on the set of 'Kelly's Heroes' in the Seventies when he first met the man. (Rickles has been in a lot of movies and TV shows and the film documents that.) This is an affectionate portrait. And it works. It's impossible to walk away from it without liking Rickles and wearing a smile.

Some of the speakers: Debbie Reynolds, Chris Rock, Martin Scosese, Joan Rivers, Clint Eastwood, Robert De Niro, Robin Williams, Whoopi Goldberg, Sidney Poitier, Ernest Borgnine (he and Rickles played 'The Odd Couple' on Broadway), Roseanne, Bob Newhart, Carl Reiner, and many others--all admirers.

There are segments of a 2006 Las Vegas performance, and it is this, of course, that best shows what Rickles does and how good he is at it, but this is not a concert film. It's the story of the working life and an affectionate portrait of a man who, it seems, has practiced his trade of being "the king of insults" for 48 years and yet made no enemies?

How has he done that? The simplest answer is, Because he's good. He pulls out the worst clichés: a man says he's German and he goose-steps on stage. He makes you laugh in spite of yourself. In the end you may realize it's really good-natured stuff. It clears the air. Joan Rivers, Landis has said (Aaron Hills retells the story in the Village Voice) once recounted how a Florida judge came backstage where they were both performing and invited Rickles to play golf with him and Rickles replied, "Listen: One, I'm leaving town. Two, you're a putz. You're loud, obnoxious, incredibly boring, and I wouldn't play golf with you because I don't live here and you couldn't fix a ticket. No." But, Landis says, Hills left out the most important part: the judge loved it. He laughed uproariously.

Such an exchange makes one--it made the judge--into a figment of the imagination, the wild imagination--of a very funny man. It is an honor to be insulted by such a comic genius. Rickles has the good material, the immense courage, and the perfect timing. And they have never left him.

He also has been married for thirty years, has two sons, and is loved. He is, Landis said, in a long monologue at the NYFF press Q&A, a great "schmearer" (Yiddish term for tipping): everywhere he goes he passes out bills so when he comes back, he's more than welcome. But this isn't a payoff; it's niceness.

The film also shows some clips of Dean Martin roasts. Rickles obviously is the king of the roast--a gathering, among friends, where someone is honored by being affectionately insulted by everyone. The insults show they're friends. In a sense, by insulting his audiences at shows in big rooms at Vegas or Miami or Indian casinos, he's showing them they're friends; he's establishing trust. Otherwise, obviously, it would just be ugly.

One of the side benefits of the film is its portrait of Las Vegas. Extraordinarly, all the entertainers who performed when the town was run by the mafia are nostalgic for those days--when, they say, everyone was treated very well.

Again, the NYFF is not a venue for great documentaries. This is a very good-looking, neatly edited film. It will be shown on HBO. It is not a milestone in the art of documentary. John Landis was very entertaining at the press Q&A. He loves this subject.

A New York Film Festival 2007 official selection.


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