Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
At 16, Nick Twisp is wry about his teen funk: he lives in Oakland with his sex-addled mother; his father's child support is her meal ticket. While camping in Ukiah, Nick meets Sheeni: for him, it's love at first sight. Nick has to figure out how to get his father a job in Ukiah, then how to get sent to live with his father, then how to get close to Sheeni, whose religious parents may want her sent away from temptation to a boarding school. There's also Sheeni's all-American boyfriend to contend with. Overwhelmed by the challenges, Nick's about to give up when he conjures an alter ego who whispers revolt into his ear. Nick is not altogether hapless, but can this end well? Written by
François talks dirty to Sheeni in the boarding school ("I want to tickle your bellybutton from the inside", etc.) Director Miguel Arteta revealed on the commentary that all those lines came from researching internet porn sites. See more »
When Nick is stealing the BMW, his father kicks the window with his foot leaving two footprints on it. After a couple of scenes the marks have moved upwards from their first location. See more »
This film is defiantly an "offbeat" comedy. The humour is mixed
throughout as though trying to please all audiences, combining cliché
"teen movie" jokes with references to obscure films and literature,
most likely lost on the average "American Pie" fan. The Tone is
unbalanced and the narrative goes all over the place but I suppose that
is the point. Acting is well delivered from all, with Cera playing the
same socially awkward, insecure guy as usual (but what's wrong with
that, he's the right actor for the role)
In short: The story is predictable but that's to be expected. The
dialogue between the two leads is interesting and enjoyable. Music
works excellently throughout, fitting of each scene. Colour is used
well. Cinematography is fine (the scene where the two meet is clichéd
but always nice to see.) 5/10. Strong first act, but the rest of the
film failed to sustain that level. Worth viewing at least once for fans
of the Cera and/or the genre.
34 of 57 people found this review helpful.
Was this review helpful to you?