In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
At the premier, Pvt. Zoller is in his full dress uniform with all his decorations. He wears the Knight's Cross with oak leaves, swords, and cut diamonds around his neck and the Iron Cross 2nd class on his chest. However, conspicuously absent is the Iron Cross 1st class, which he certainly would've worn to the occasion (see where Adolf Hitler wears his), and which is necessary to receive the Knight's Cross. Without the 1st class award, he could not have received a Knight's Cross let alone with oak leaves, swords, and cut diamonds. See more »
Sgt. Donny Donowitz:
Teddy fuckin' Williams knocks it out of the park! Fenway Park on its feet for Teddy fuckin' Ballgame! He went yardo on that one, out to fuckin' Lansdowne Street!
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The film uses the 1963-1990 Universal Pictures logo. See more »
Very entertaining, that's for sure. Great little moments "inspired" by other movies. "The Guns Of Navarone", "Operation Crossbow" and a myriad of 70's B exploitation Italian movies. Tarantino is certainly clever and knows how to use the camera but then, I have to say it, nothing. The childish "divertimento" dressed in smart ass dialog remains there. The entertainment value is, perhaps, the most one should expect from a movie but it seems a damn shame that such a talent should be put at the service of something so one dimensional. I can't help but remember Ernst Lubitch's "To Be Or Not To Be" that was also a comedy with remarkable, inventive dialog but it also had so many other layers that "To Be Or Not To Be" after 70 years still resonates with whoever has seen it. Christoph Waltz is terrific and Brad Pitt is always great fun to watch but the experience is purely epidermic in spite of some truly gruesome moments. Am I expecting oranges from an apple tree? If that's so forget what I've just said and run to meet Tarantino's basterds.
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