Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God. Written by
Jeff Mellinger <firstname.lastname@example.org>
Leandro Firmino (Zé Pequeno) really was from the City of God and had no ambitions to be an actor, he only went to the audition to keep his friend company. See more »
In the scene where the tender trio are robbing the gas man and giving out the free gas, when the police arrive and the gang are running off, in the back ground there is a woman in a yellow dress carrying a big gas canister, yet in the next shot she is seen running in the same spot without the gas. See more »
Hot Pants Road
Written by Charles Bobbitt / James Brown / St. Clair Jr. Pinckney
Performed by JB's
Dynatone Publishing Company
(Represented in Brazil by Warner Chappell Edições Musicais Ltda)
Used by permission from Universal Music Ltda See more »
Wow, this is one of those different movies - meaning not run-of-mill by any means - and one of those which isn't pleasant to watch but one you might find yourself mesmerized by it.
This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.
Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.
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