A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place. Written by
David Carroll <email@example.com>
Morgan's hair as he gets out of the pool goes from being soaking wet, to barely damp. See more »
My king. If you'll allow me, I will fight for you in defense of the crown. These others will challenge...
Shit, I can't talk like that. Morgan's agreed to fight, and if you promise to sit on your ass and stay out of the way, there's still some of us that'll fight for you.
[through his tears]
See more »
This movie pretty much rocks. The only problem with it is the extras. They remind me of the Toxic Avenger movie - very low class - but the main characters are awesome. Ed Harris totally has the Right Stuff and the mystical qualities of this movie are indescribable. Much like life itself, it strives for the moon and ends up with romantic nonsense and utter disarray. It is perfect.
It is a movie about a group of renaissance festival-type motorcycle jousters who confront the possibility of commercial success - at the expense of the altruistic round-table idealism that the group was founded on. The King Arthur of the group (Ed Harris) attempts to maintain his Puritanical hold on the group. His arch-rival (Sir Gallahad?) is the major antagonist and is a poster-child for commercialism. The end result is a cataclysm of Puritinism versus Commercialism that results in the most nihilistic nirvana that the human mind can imagine. For a romantic, it is pure gold - if you can get past the gimmicks.
I actually saw this movie on cable as a boy, and I loved it. Then I bought it on DVD as a grown up and still loved it, but I also noticed the low production-quality blemishes. The director's narrative kind of makes up for it though, because you get to understand how this movie got its magical aura.
10 of 14 people found this review helpful.
Was this review helpful to you?