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Young Frankenstein (1974)

PG | | Comedy | 15 December 1974 (USA)
An American grandson of the infamous scientist, struggling to prove that he is not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.

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(screen story and screenplay), (screen story and screenplay) | 1 more credit »
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671 ( 177)

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Nominated for 2 Oscars. Another 11 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Liam Dunn ...
Danny Goldman ...
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Sadistic Jailor (as Oscar Beregi)
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Village Elder
Richard Roth ...
Insp. Kemp's Aide
Monte Landis ...
Gravedigger
Rusty Blitz ...
Gravedigger
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Storyline

A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind... Written by Flavio Rizzardi <spillo@maya.dei.unpid.it>

Plot Summary | Plot Synopsis

Taglines:

Come Early...Get a Seat! See more »

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

15 December 1974 (USA)  »

Also Known As:

Frankenstein junior  »

Box Office

Budget:

$2,800,000 (estimated)

Gross:

$86,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The journal entry Frederick reads is actually two slightly paraphrased extracts from the original novel "Frankenstein; or the modern Prometheus" by Mary Shelley. See more »

Goofs

After the class is dismissed, we see Herr Falkstein get up from his seat twice. See more »

Quotes

Dr. Frederick Frankenstein: For what we are about to see next, we must enter quietly into the realm of genius.
See more »

Crazy Credits

The zero in the 20th Century Fox logo at the beginning is slightly tilted See more »

Connections

Referenced in Sixteen Candles (1984) See more »

Soundtracks

I Ain't Got Nobody (and Nobody Cares for Me)
(uncredited)
Music by Spencer Williams
Lyrics by Roger Graham
Sung by Marty Feldman
See more »

Frequently Asked Questions

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User Reviews

 
Comedic Genius

Mel Brooks' tribute to the Frankenstein movies of the 40s is done with such love, such skill, and such side-splitting, fall-on-the-floor hilarity, that it has rightfully become a comedy classic. I first saw it in a movie theater: I had no idea what it was, had very little knowledge of Mel Brooks at the time, and expected to be bored. Instead, I found myself shrieking aloud with laughter that became so intense, I missed many of the major lines. Hence the video.

What can I say? From the wild-eyed Igor, the hunchbacked Transylvanian servant whose hump keeps changing from side to side, to the modern-day descendant of Baron von Frankenstein, determined not to follow in his great-grandfather's nefarious footsteps, to the nurse, a naif with enormous...er...chestal appendages, to the fearsome Frau Bleucher, whose mere mention causes horses in the castle's faraway stables to neigh in fear...to the scene of the monster and his creator singing and dancing in black tie to "putting on the Ritz," this movie should come with a warning: "Danger--Uncontrollable Laughter May Become Chronic."

The cast is beyond superb. The late, wonderful British comedian Marty Feldman (Igor), who turned his congenital wandering eyes into comedic foils, never misses a beat as second banana to Gene Wilder, who plays the distraught Dr. Frankenstein to the hilt and beyond. Cloris Leachman, who looks like a cross between a witch and a warlock, plays the feared housekeeper Frau Bleucher (neighhh!!!), and a very young, beautiful, and buxom Teri Garr plays the nurse-assistant to the good doctor. Then there is the marvelous Madeline Kahn, who gave a bravura performance as the doctor's fiancee. The late comedienne's burst into operatic ecstasy during her rape by the monster is simply inspired, and is one of the comedic high points of the entire film. All of Kahn's considerable talents came into play during this movie; she was taken from us too soon.


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