A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind... Written by
Flavio Rizzardi <email@example.com>
The idea of Frederick's dart hitting a cat was ad-libbed on-set. When Gene Wilder threw his dart off camera, Director Mel Brooks quickly screamed like a cat to create the illusion. See more »
"Transylvania" in the movie is an imaginary land meant to serve as "generic horror movie setting." It is not an attempt to depict the real Transylvania. See more »
Dr. Frederick Frankenstein:
If we look at the base of a brain, which has just been removed from the skull, there's very little of the mid-brain that we can actually see. Yet, as I demonstrated in my lecture last week, if the under aspects of the temporal lobes are gently pulled apart, the upper portion of the stem of the brain can be seen. The so-called "brain stem" consists of the mid-brain, a rounded protrusion called the pons, and a stalk tapering downwards called the medulla oblongata, which passes out of...
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Based on characters in the novel "Frankenstein" by Mary Wollstonecraft Shelley. See more »
Over 30 years later this film still provides a ton of laughs to audiences.
It's always good to see the late Marty Feldman, whose face was hysterical and perfect for this film. In fact, he, along with the camera-work, really make this film one to watch and enjoy multiple times. Teri Garr was at her best and never looked as pretty as did in here. Add in the great talents of Gene Wilder, Madeline Kahn, Gene Hackman, Peter Boyle, Cloris Leachman, etc., and you have a memorable movie with a lot of memorable scenes.
Looking at the Frankenstien "monster" in a tuxedo or sitting up in bed with a cigar reading The Wall Street Journal are just a few of the outlandish scenes, along Wilder entering the mansion commenting on the "nice knockers."
Kudos, also, for Mel Brooks having the good sense to film this in black-and- white. It may have been his best film, although "Blazing Saddles" would give it a run for its money. My only complaint was Wilder's constant yelling, which becomes abrasive and can give you a headache after awhile! Still, this has to be considered one of the best "comedy classics" ever.
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