An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by
Melissa Portell <firstname.lastname@example.org>
Director Stanley Donen said that producer Jack Cummings originally planned to use existing American folk songs for the film's musical numbers. After months spent searching in vain for the right music, Donen recalled, the decision was made to commission an original score. See more »
In the big fight and dance at the barn raising, the brothers change locations rapidly. Also, there are noticeable discontinuities during the acrobatic bits, probably because they needed some repeating. See more »
Let me tell you something, no woman is gonna go to bear country with you to cook and wash and slave for seven slumachy back woodsmen.
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Colorful, Lively, and Well-Choreographed; a Happy Experience
It would be difficult, I suspect not to like, "Seven Brides For Seven Brothers". This film boasts an attractive frontier setting, famously excellent dance numbers choreographed by Michael Kidd, powerful Howard Keel as the head of the Pontifee clan and Jane Powell as the lovely girl who is swept off her feet by his charms. Of course when she finds out that he has six brothers, all scruffy backwoodsmen in need of manners and wives, trouble ensues. But all turns out well, with a little help from a lesson in Roman history, hard work, and the willingness of six other local girls to be (finally) swept off their feet. Howard Petrie, Ian Wolfe and such lovelies as Ruta Lee, Julie Newmar and Virginia Gibson contribute to the fun as the girls; the brothers include Russ Tamblyn, non-dancer Jeff Richards and some of the best dancers on the planet. The movie also presents some famous songs including, "Wonderful Day", "I'm a Lonesome Polecat", "June Bride" and, "When You're in Love" as well as "Goin' Courtin'", among others. Well-remembered scenes include the hilarious barn raising, the town dance, the sleigh pursuit and avalanche and the "Spring, Spring, Spring" vocal climax. Forget the acting, which is sometimes a bit potty; the director and the music add to a clearly-defined script a rare sense of frontier life, where taking risks for happiness and facing the precariousness of things where life is less than settled become necessary. Very few films have followed the lead of "Seven Brides" as a frontier or western musical; and none has been as well received nor appreciated. What a pity, its fans say, it was not given an outdoor setting instead of backlot scenery--and an "A" budget...It has a few flaws; but for five decades it has been one of the happiest musical films ever made; and that is quite an enduring achievement.
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