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Odd Man Out (1947)

Not Rated | | Crime, Drama, Film-Noir | 23 April 1947 (USA)
A wounded Irish nationalist leader attempts to evade police following a failed robbery in Belfast.

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(by), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Pat
F.J. McCormick ...
...
Fencie
...
Rosie
Denis O'Dea ...
W.G. Fay ...
Maureen Delaney ...
Theresa O'Brien
Elwyn Brook-Jones ...
...
...
Kitty Kirwan ...
Beryl Measor ...
Maudie
Roy Irving ...
Murphy
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Storyline

Johnny McQueen, leader of a clandestine Irish organization, has been hiding in the house of Kathleen and her mother, planning a hold-up that will provide his group with the funds needed to continue its activities. During the hold-up, things go sour: Johnny is wounded, cannot make it back to the hideout, and disappears in the back-alleys of Belfast. Immediately, a large-scale man-hunt is launched, and the city is tightly covered by the constabulary, whose chief is intent on capturing Johnny and the other members of the gang. Kathleen sets out in search of Johnny. Written by Eduardo Casais <eduardo.casais@research.nokia.com>

Plot Summary | Plot Synopsis

Taglines:

An adventure in unbearable suspense !


Certificate:

Not Rated | See all certifications »
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Details

Country:

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Release Date:

23 April 1947 (USA)  »

Also Known As:

Gang War  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The gang of street urchins in the film were played by children from the St. Patrick's Boys Home in Belfast. See more »

Goofs

When Johnny's three friends are fleeing the police, they run into a little square with a grocer's shop. The shop and the windows above it are lit up. As they run past it, a blind in the left-hand upper window is pulled down. Later, when Dennis tries to draw the police away from Johnny, he runs past the same shop. It can be seen that the blind is now back up again. See more »

Quotes

Shell: Is he really dying, Tober?
Tober: We're all dying.
See more »

Connections

Referenced in The Wonder Years: Odd Man Out (1989) See more »

Soundtracks

Symphony No. 8 (Unfinished)
(uncredited)
Music by Franz Schubert
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Frequently Asked Questions

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User Reviews

Charity
30 October 2003 | by (Athens, Greece) – See all my reviews

I felt compelled to respond to a point made by zetes below:

"He delivers a speech from the Bible late in the film, in what I would call the film's least successful scene, but its meaning in the film seemed obscure to me."

The passage, as John Simpson below has pointed out, is from Paul's Epistle to the Corinthians, on the supremacy of love. If I have not love, Paul says, I am nothing. In the King James version, however, the word was not love, but charity.

As I remember, McQueen stumbles through Belfast at the mercy of everyone who finds him. Some take advantage of him, others try to help him, but everyone has his own interests at heart. Those who try to help him always change their mind in the end, and send him back out into the street. When McQueen sees the image or ghost of his priest, he asks him, 'What was that you used to tell us? "When I was a child, I spoke as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things."'

Perhaps this is a bit too obvious, but it announces the theme of the film. It's precisely what everyone has lacked. One could object to the fact that McQueen is a terrorist, but Paul (and Jesus) would not acknowledge the question of who deserves and who doesn't deserve this love/charity. It's not selective.

Many years later, Neil Jordan must have had this scene in mind when he filmed "The Crying Game." In an early scene, on the night before they are to execute Jody (Forest Whitaker), Jody asks Fergus (Stephen Rea) to tell him something, anything, to comfort him. Fergus thinks for a bit, and then says, "When I was a child, I thought as a child. But when I became a man I put away childish things..." When Jody asks him what that means, Fergus says, "Nothing." Once again, Jody asks him to tell him something, anything at all. Fergus stays silent, unable to think of anything, his eyes welling up with tears. The scene ends with this heartbreaking bit of dialogue:

JODY: Not a lot of use, are you, Fergus? FERGUS: Me? No, I'm not good for much...

They're both excellent films, with an intelligence and emotional honesty one doesn't often see.


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