The Square – Review

Julian (Dominic West) endures the actions of a performer named Oleg (Terry Notary), in Ruben Ostlund’s satire The Square. Photo courtesy of Magnolia Pictures (c).

Ruben Ostlund’s satire The Square was Cannes’ Palme D’Or winner this year but this ambitious film is a decidedly unusual winner. Ostlund’s previous film, Force Majeure, explored a single morally-bad choice in a caustically comic way. The Square turns a satiric eye on modern art, contemporary society, political correctness, homelessness, sex, income inequality and more, although it often focuses on the subject of trust. The Square, partly in English and partly in Swedish with subtitles, is sly, darkly satiric and sometimes laugh-out-loud funny film, when it is not just downright disturbing. This is not a film for everyone, but it has rewards for those up for its wild ride.

The story revolves around Christian (Claes Bang), the curator at a modern art museum in Sweden.
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