The overseas performance — led by the U.K. with $36.7 million, Germany with $23.6 million and France with $18.1 million — was slightly above sky-high expectations, which had been around $225 million. The openings did not include China, which accounts for 12% of the international market and is scheduled for a Jan. 5 launch.
With a $220 million North American opening, “Star Wars: The Last Jedi” posted a $450 million worldwide total in its opening weekend — the fifth highest of all time behind “Fate of the Furious,” “Star Wars: The Force Awakens,” “Jurassic World” and “Harry Potter and the Deathly Hallows Part 2.”
“Star Wars: The Last Jedi” opened in first place in all but four markets — Turkey, South Korea, India and Malaysia. It set records for the second biggest launch weekend of all time behind “Star Wars: The Force Awakens” in Australia, Germany
Variety reports that Greenwood’s score has been included in 90 minutes of the 130-minute drama, which means you’ll be hearing the score in nearly 70% of the movie. Greenwood’s music has always been important to Anderson’s films, but it’s dominant in “Phantom Thread” in a way it never has been. In some ways it acts as a Greek chorus of sorts, changing and
Dorset-born director Edgar Wright, 43, made his name with cult Channel 4 sitcom Spaced before moving into film. He made the “Cornetto trilogy” with long-time collaborators Simon Pegg and Nick Frost, comprising Shaun of the Dead, Hot Fuzz and The World’s End. Since heading to Hollywood, Wright has directed Scott Pilgrim Vs the World and co-written The Adventures of Tintin. He scored his biggest box office hit so far with this year’s getaway car thriller Baby Driver, out now on DVD.
The new Post Production, Digital and Visual Effects Rebate comes into effect from Jan. 1., 2018 and will see companies receive a rebate of 10% of their South Australian expenditure. The current scheme is a grant capped that at $115,000 (A$150,000).
The scheme is intended to mirror and complement the Australian federal government’s Pdv Offset of 30%. That means South Australian post-production and effects companies, such as Adelaide Studios, Rising Sun Pictures and Kojo, can now offer international films a combined 40% rebate on spend in the state.
“The Pdv rebate is not limited by funding, increasing the scope and diversity of productions who are able to bring their post to South Australia. The rebate is un-capped, automatic and non-discretionary for productions that meet the guidelines,” the South Australian
The film, featuring a massive tidal wave that hits Los Angeles, is to be produced on a budget of $55 million through Hannibal Classics and Foresight Unlimited. It is now in pre-production in the U.K. and will begin lensing in March, 2018. Release is set for 2019. Hannibal Classics and Foresight handle international sales.
Production is by Richard Rionda Del Castro (“USS Indianapolis: Men of Courage,” “Rage”), Moshe Diamant (“The Black Dahlia”), Michael Tadross, Jr. (“Gangster Squad”) and Mark Damon (“Lone Survivor”).
Gang starred in two of Korea’s top-grossing films of 2016: “Violent Prosecutor” and “Master” as well as 2015 hit “The Priests.” His acting awards include the Star of Asia prize at New York Asian Film Festival for his role in “Vanishing Time: A Boy Who Returned.”
“I found the
“Steel Rain” is directed by “The Attorney” director Yang Woo-suk. It focuses on the nuclear threats after a coup in North Korea forces its leader and his elite guard to come South.
The film was released on Thursday by Next Entertainment World release and earned $12.1 million from 1.63 million admissions over four days. As a measure of its success, the film accounted for 55% of total weekend box office.
Opening on the same day, “Star Wars” debuted in second and earned $5.17 million between Thursday and Sunday. That is lower than the opening four-day score of “Star Wars: The Force Awakens,” which was $8.62 million in 2015.
Korean animation “Pororo Dinosaur Island Adventure” earned $1.26 million between Friday and Sunday in third place, for a total of $3.89 million after two weekends. Japanese animation, “Witch’s Flower
Under the deal, which is estimated in the €100 million ($117.4 million) range, Mediawan would inject €15 million in equity capital into On Kids & Family, France’s No. 1 producer of animated series and one of Europe’s leading producers of big-budget independent animated features.
The indie banner has a track record in producing franchise-based films and series, notably Mark Osborne’s “The Little Prince,” the Cesar- and BAFTA-winning feature which was released in more than 120 countries and grossed $120 million worldwide, becoming the highest-grossing French-made animated film overseas. On Kids & Family’s “Playmobil” movie, budgeted at $80 million, is being directed by Lino Di Salvo (“Frozen,” “Raiponce”) and will be released in April 2019.
Mediawan would own 51% to 54% of On Kids & Family. Soumache, who is
In second place was Yuen Woo-ping’s “Thousand Faces of Dunjia,” which opened a day earlier on Thursday. The fantasy actioner earned $27.3 million over three days, and $31.3 million over four days.
“Youth” which takes a nostalgic look at China through the focus on a military entertainment troupe, had been scheduled to open in the October 1 holiday slot, following a premiere at the Toronto festival. But a late and unexplained government intervention – widely thought to have been related to sensitivities about the National Party Congress taking place later in October – meant that its release was abruptly cancelled.
The rescheduling, however, had the effect of propelling the film’s outing from a holiday season to another peak period. December is usually the busiest or second busiest period in Chinese theaters
That mega super ultra “Whoa!” is designed to blow our minds, and in one sense it does. It leaves the audience with popped eyes and dropped jaws, going “Geez, I didn’t know the Jedi could do that!”
But approximately two seconds after you’ve taken the moment in, it also leaves
In his original tweet calling out Pai, Hamill included a screencap of Pai from a bizarre video he released earlier in the week attempting to reassure the public of the harmlessness of the net neutrality repeal and in which he wields a lightsaber.
“Cute video Ajit ‘Aren’t I Precious?’ Pai,” Hamill wrote Saturday, along with a vomiting emoji. “But you are profoundly unworthy to wield a lightsaber-a Jedi acts selflessly for the common man-not lie 2 enrich giant corporations.”
“Btw-did you pay John Williams his royalty? #AJediYouareNOT,” he finished — the video included the “Star Wars” main theme during the lightsaber segment.
Cute video Ajit "Aren't I Precious?" Pai -but you are profoundly unworthy 2 wield a lightsaber-a
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Read More:David Lynch Finally Shares His Thoughts on the ‘Twin Peaks’ Finale, Confirms Season 4 is Possible
“Sexual harassment is the new topic of the day. Harvey Weinstein started this thing and it’s like an avalanche,” Lynch told the press. “Now everybody and his little brother are talking about sexual harassment.”
Lynch then evoked the golden rule for a simple solution of how to end harassment: Treat others the way you want to be treated. The director noted that we are judged by how we treat our fellow man, and learning how to treat others starts with deciding how you want to be treated yourself.
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